One team. The whole chain.
Most companies hire a strategist, then a builder, then a marketer, then a film team — and pray the handoffs hold. We are all of those people, in one team, in one room. The strategy is built by the same people who make the launch.
Five stages. One team. No handoffs.
Strategy
We figure out what wins.
Market positioning, business and IP architecture, monetization design, brand strategy. We build the playbook before anyone touches the keyboard or the camera.
Build
We build the systems and the product.
Websites, platforms, AI agents and automations, operational frameworks, training programs. The infrastructure that runs the business and the assets that carry the brand.
Manufacture
We make it real, at scale.
Films, photo, virtual production environments, music and original scores, physical product sourcing through our factory and logistics network across Asia. Whatever the launch needs, made.
Launch
We make the world notice.
Brand films, campaigns, social and PR rollouts, live activations, sales funnels. The launch is one connected piece — not five vendors stapled together.
Run
We keep it working after we leave.
Sales and ops automation, content engines, analytics, support and growth systems. The business runs on the rails we built, with us on call when it needs us.
Two doors. Same team.
Build the business. Tell the world.
Operators, founders, and category leaders who need both the systems that scale and the story that sells them.
Make the thing. Make it work.
Producers, IP holders, and creators who need production muscle and the operations to back it all the way through.
Same spine — different door.
Two people. The surface area of five vendors.
Dwight Cenac
Operator and systems architect. Built and scaled a family business into the millions, then turned the principles behind that growth into a repeatable system used by operators across industries. A decade sourcing from factories in Shenzhen and Guangzhou. Designs AI architectures across industries — self-learning sales agents, intelligence-driven management platforms, full operating ecosystems. Featured in Forbes and USA Today.
Keith Ainley
Visual Director and virtual-production lead. Credits include PBS, Travel Channel, Discovery, the Jacksonville Jaguars, the Miami Open, The Players Championship, and Kelsea Ballerini’s 2025 tour. Certified in Unreal Engine virtual production — builds the photoreal worlds when the location doesn’t exist yet.
What we’ve built.
From SunoVid to the Marché du Film.
Composed an original feature-length score for Key of Bones: Curse of the Ghost Pirate, written and directed by Tony Armer. The film screened at the Fantastic Pavilion Gala at the 2026 Cannes Film Festival as part of Marché du Film. Score produced on SunoVid — a score-to-picture platform built in-house.
From thesis to platform.
Designed and built Festaiv from a clean sheet — an AI-powered platform connecting filmmakers, festivals, and audiences in a single market. One product that replaces the five tools the industry was stitching together. Vertical AI architecture, end-to-end build, live operating business.